What Are You Listening To?

hey DF

Day Tripper - Beatles

Later, Amelas.  Hey Lennon & Rockton and anyone else I'm missing.

Now playing:

Emmylou Harris:  Bluebird

AMG Review:

Like most of Emmylou Harris' albums, Bluebird is an expertly performed album, featuring some truly startling and affecting tour de forces. However, the material — while featuring a handful of truly great songs, like John Hiatt's "Icy Blue Heart" and her original "A River for Him" — is too uneven to rank among her finest efforts.

--This is a nice album with a beautiful cover of John Hiat's "Icy Blue Heart."  Both it and the original are must-hears.

hey Rockf

China grove - Dobbie Brothers

Current Track:

How Many More Times

-Pardon the pun, but as I mentioned earlier this one Bears a very "striking" resemblence to the old blues tune "Smokestack Lightining"....

Ok, Rock, I think I will mosey on over to your blog & toss in my two yen...

morning Da Fan, Rock - how is your Sunday's going.

Cherish the Day - Sada

Hey, LK, it's going great!

Would you mind voting on my new poll?

http://www.sportsline.com/mcc/messages/chrono/8400993

later guys, daughters having car problems

Take it easy - Eagles

This guy may not be the real king of rock & roll, but he is the real Elvis:

Elvis Costello & The Attractions:  This Year's Model

AMG Review:

Where My Aim Is True implied punk rock with its lyrics and stripped-down production, This Year's Model sounds like punk. Not that Elvis Costello's songwriting has changed — This Year's Model is comprised largely of leftovers from My Aim Is True and songs written on the road. It's the music that changed. After releasing My Aim Is True, Costello assembled a backing band called the Attractions, which were considerably tougher and wilder than Clover, who played on his debut. The Attractions were a rock & roll band, which gives This Year's Model a reckless, careening feel. It's nervous, amphetamine-fueled, nearly paranoid music — the group sounds like they're spinning out of control as soon as they crash in on the brief opener, "No Action," and they never get completely back on track, even on the slower numbers. Costello and the Attractions speed through This Year's Model at a blinding pace, which gives his songs — which were already meaner than the set on My Aim Is True — a nastier edge. "Lipstick Vogue," "Pump It Up," and "(I Don't Want to Go To) Chelsea" are all underscored with sexual menace, while "Night Rally" touches on a bizarre fascination with fascism that would blossom on his next album, Armed Forces. Even the songs that sound relatively lighthearted — "Hand in Hand," "Little Triggers," "Lip Service," "Living in Paradise" — are all edgy, thanks to Costello's breathless vocals, Steve Nieve's carnival-esque organ riffs, and Nick Lowe's bare-bones production. Of course, the songs on This Year's Model are typically catchy and help the vicious sentiments sink into your skin, but the most remarkable thing about the album is the sound — Costello and the Attractions never rocked this hard, or this vengefully, ever again. [The 1993 CD reissue standardized the sequencing of This Year's Model on both sides of the Atlantic, restoring the album to its original British running order and adding six bonus tracks. The first three tracks are singles and B-sides, including the classic rant "Radio, Radio," the organ-driven '60s pop of "Big Tears," and the frenetic "Crawling to the USA." The remaining three tracks — "Running Out of Angels," "Greenshirt," and "Big Boys" — are all demos.]

Rock, kind of quiet today.

People are Strange - The Doors